Brunelli photographed the scenes for Eternal London at dawn, one of the most poetic times to be sure. He then hand printed them in limited editions of 10 [9 ½ x 12”] or 5 [20 x 24”], so over time they’ll become relatively rare.
Untitled from the series Eternal London, 2012–2013
© Giacomo Brunelli
Courtesy of the artist and The Photographers’ Gallery
As well as his signature animals (a dawn-walked dog, a pigeon), Brunelli keeps his close-ups close. We see smartly shod male feet on their way to some exceptionally early meeting: anonymous trouser bottoms, upturned soles, the pavement beneath. It’s a tiny but telling narrative. Then there is the pigeon. This is a pigeon in its pomp, its chest puffed out like a guardsman, marching across Trafalgar Square. It has the whole place to itself, the tourists and boys who chase pigeons are all still asleep. The collection is an exclusive commission for Print Sales, members of whom are always on hand to advise and support anyone who wants to start or maintain a photography collection.
Prices start at £650 + VAT. But you can also enjoy the superb catalogue for just £25. The photographs are printed on high quality gloss and are accompanied by nothing other than an austere page number. There are no accompanying words at all; Brunelli titles all his work in this exhibition ‘Untitled’. The catalogue is also the first thing to buy if you’re thinking of investing.
Until 30 March, the gallery is also showing the work of David Lynch, William S. Burroughs and Andy Warhol. £4 admission will enable you to see all of them. Starting at the top of the gallery, at level 5, there is David Lynch’s The Factory Photographs, the filmmaker taking his camera around derelict industrial landscapes in search of fresh focus and finding it in the lovely geometry of light through grilles and empty windows. Level 4 has William S. Burroughs’ Taking Shots. These include the photographer’s New York neighbourhood: a car crash and a picture of what was probably the predecessor of the cuddly meerkat, the ring-tailed lemur. And at level 2, Andy Warhol’s Photographs 1976–1987, geometric forms, the celebrity NY culture and a rather charming still life of his New York pantry shelf: packets or rice, jars of Hellman’s Mayonnaise and Mott’s Apple Sauce, where he has artfully overexposed so that the glass looks as cleanly sparkling as in a laboratory.
The Photographers' Gallery, 16–18 Ramillies St, London W1F 7LW
Mon–Sat 10.00–18.00, Thu 10.00–20.00, Sun 11.30–18.00
Admission to Warhol, Burroughs and Lynch
£4 (£2.50 concs) Last admission 17.30
Free admission on Monday from 10.00–18.00
and Thursday from 18.00–20.00
Free Entry to under 17s
Contact Print Sales +44 (0)20 7087 9320 or firstname.lastname@example.org